Frédéric Naud

French Contemporary Sculptor

Human engineering is just a natural organic process.

Digital Art

Ère : Plasticene

Animal : Bulla piscis jellyfish

Crypto : Tezos // Shop : Objkt

Ère : Plasticene

Animal : Plastic Cute Lacerta

Crypto : Tezos // Shop : Objkt

Ère : Plasticene

Animal : Natantes lucusta

Crypto : Tezos // Shop : Objkt

Era : Plasticene

Animal : Terribilis Magna Corniger

Collaboration :

Vidéo : @naudfred

Audio : @vincentallix_

Crypto : Tezos // Shop : Objkt

Era : Plasticene

Animal : Varia Vitae Flos

Collaboration :

Vidéo : @naudfred

Audio : @vincentallix_

Crypto : Tezos // Shop : Objkt

Tempus Evolutionis Vitae Post Hominum

Exposome, component of the engine of evolution, boundary between two ecosystems and eras of life.

Life connected to its environment.

It is this connection that enables living organisms to live or die in an ecosystem. The relationship between the level of an organism’s exposome and its ability to adapt to it will define an unfavorable and toxic geographical zone, or a favorable one with the discovery of a biotope of life. Variations in the exposome are therefore interdependent on variations in the living world, influencing and impacting on each other.

Time as a transformative factor.

Over time, nothing stays the same: everything evolves and changes. An innocuous molecule that accumulates in an environment could enter an organism’s exposome and become toxic. The organism’s biological response, through adaptation and evolutionary mechanisms, will enable it, or not, to assimilate this product as a formidable condition of life. Just as oxygen could become a corrosive and harmful element for neo-organisms after several hundred million years of evolution.

Artistically exploring the notion of the exposome means breaking down the concept through evolutionary time and the prism of the living world.

Représentation des ères géologiques déjà traversées par la terre, inclues dans le projet artistique du sculpteur Fred Naud.

The concept of exposome is variable and needs to be redefined according to the time-individual prism studied.

Art and science are linked by a common unity, that of Long Time. Learning, discovering, preserving, transmitting. It is this notion of long time and long-term projection that will form the central axis of the work. Seeing things far ahead, looking to the future and putting ourselves back on a time scale where humanity is neither the beginning nor the end, but rather a stage from one exponent to another.

 

Following this residency, the proposed work will be an immersion in an evolving chronological frieze. Visitors are invited to travel from one exponent to another, at the heart of the transformation of living things engendered by the Anthropocene.

 

Repositioning the human as an evolutionary stage in life, rather than as a destructive end in itself.
To make tangible the notion of the History of Life, and to bring out in each visitor the 4 billion years of Living History that we all carry with us, while at the same time being the roots of the 4 billion years to come.

 

An immersion, a walk in a park where different evolutionary stages can be apprehended, listened to and understood as a succession of living organisms inviting the discovery of the next…

 

A stroll through an immersive, tangible scientific story. This artistic installation will invite visitors to use their knowledge of Darwinian evolution and reinterpret it in their own imaginary world, to imagine a future for living things that is certainly possible.